“To Let: One Cheap, Roomy, Salubrious Flat”
Frances
**
“As I was saying, Miss, a small bed fits in that nook, and the case over there holds at least fifty books.”
“I’m not sure I want to live here! The windows are grubby…”
“They’ve been cleaned twice!”
“There are so many pinholes in the walls.”
“You won’t notice them without your glasses on.”
“But I need my glasses to see.”
“Then don’t stand so close. Isn’t that better already?”
“This flat is awfully large.”
“It’s big enough for three!”
“I’m single.”
“You’ll have room to grow!”
“The price is nice.”
“It’s the best! There’s nothing cheaper, roomier, or more salubrious in this neighborhood.”
“The floor is covered with dust. Great mounds of dust!”
“Keep the windows closed.”
“I need sufficient light and air.”
“Buy a broom.”
“I’m just not sure if this is the place for me.”
“It won’t be on the market long, not with its literary connections.”
“Literary connections?”
“Don’t you know? This cheap, this roomy, this salubrious flat is where Tom Chambers wrote Good Night Bassington!”
“You don’t say?”
“Indeed, I do! As I recall, his typewriter sat on a desk right over…”
“Perhaps this is the place for me after all? Yes, I’m sure I’ll like it here!”
**
♠Frances is our [Flash] Fiction correspondent. The only thing she loves more than thinking, is dreaming.
Up next: In Part Four of our review, Venetia discusses why Gilda is more than your average heroine.
I love this! I’m a little ashamed to admit that the literary connection to the flat would’ve made me overlook some of its obvious issues as well.
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It would be tempting, wouldn’t it?
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