Welcome to the 2018 Reel Infatuation Blogathon!

Hey there, readers! The 2018 Reel Infatuation Blogathon is officially here.

*internally screams*

Mabel is already looking for your posts

Remember: once your post is up, please link it in the comments section here or on the re-blogs on Silver Screenings or A Small Press Life. We’re so excited to read your contributions. Thanks a million!

PS-It’s not too late to join us. Read the details here.

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2018 Reel Infatuation Blogathon–How to Participate Without Writing a Post!

Picture this…

It’s May 2018.

The yearly Reel Infatuation Blogathon is just a few weeks away.

2018 RI Banner (Flesh and the Devil)

You have a character crush, or ten (we don’t judge, after all you’re only human), but don’t consider yourself a writer. Or, that kind of writer.  Maybe it’s a matter of time, or timing.  Perhaps you’re already doing an entry, but are burning to share a few more crushes with readers.

What a predicament!

Fortunately for you, there is another option.

Mary is back to tell you how to participate in this year’s blogathon without writing a post!

Mary Pickford (1919)

“Do you lack a blog, time, skill, or confidence? Don’t let one or more of those pesky facts get in the way of joining your best friends and most able acquaintances in this year’s Reel Infatuation Blogathon! All you need at your disposal is at least one #charactercrush, and a few spare minutes. No foolin’…”

It’s as easy as it sounds.

In the weeks leading up to the start of the blogathon, we’ll be sharing a selection of non-participating readers’ #charactercrushes on here  and on our official Twitter and Facebook accounts.

How does it work?

We need 3 things:

  1. Character name/origin/actor (i.e. Han Solo/Star Wars: Episode IV-A New Hope/Harrison Ford)
  2. 1-3 sentences describing your crush
  3. Your name (first/first and last/user name/anonymous/whatever floats your boat)

You can submit this info in a few ways:

  1. By commenting directly on this post or the reblogged versions on A Small Press Life, Reel Infatuation, or Silver Screenings (check for those reblogs soon)
  2. By e-mailing us at: reelinfatuation@gmail.com (perfect for those who wish to remain anonymous)
  3. By tweeting @reelinfatuation on Twitter (suggested hashtags: #2018reelinfatuationblogathon/#reelinfatuation/#charactercrush)

If you’re not writing a blog post, we sincerely hope you’ll consider spilling your juiciest crushes using this alternative platform. Why? Remember:

Fictional characters. Sometimes you like them, sometimes you loathe them, and sometimes you’re half in love with them. Want to get to know someone in a hurry? Swap character crush stories; it’s the ultimate icebreaker!

***

Reel Infatuation Blogathon 2017 – Day 2

Here’s the Day 2 Recap! Enjoy.

Silver Screenings

It’s been a fabulous Day 2 here at the Reel Infatuation Blogathon! We’ve been swooning all day.

Bloggers: Font and Frock will be hosting Day 3 tomorrow, so if you post after this tonight’s recap, we’ll be sure to include you on Sunday.

Enjoy today’s entries!

Font and Frock
Carl Kolchak (Darren McGavin) in The Night Stalker (1974-75)

Sister Celluloid
Mike Mitchell (Rod Taylor) in Sunday in New York (1963)

Silver Screenings
Lucky Garnett (Fred Astaire) in Shall We Dance (1937)

Superfluous Film Commentary
Princess Aura (Ornella Muti) in Flash Gordon (1980)

Crítica Retrô
Eight Reasons to Admire Anthony Perkins

Champagne for Lunch
Rhoda Penmark (Patty McCormack) in The Bad Seed (1956)

Join Maedez at Font and Frock for the Day 3 recap tomorrow!

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[The Miriam Hopkins Blogathon] Design for Living: Part Three-“To Let: One Cheap, Roomy, Salubrious Flat”

“To Let: One Cheap, Roomy, Salubrious Flat”

Frances

**

“As I was saying, Miss, a small bed fits in that nook, and the case over there holds at least fifty books.”

“I’m not sure I want to live here! The windows are grubby…”

“They’ve been cleaned twice!”

“There are so many pinholes in the walls.”

“You won’t notice them without  your glasses on.”

“But I need my glasses to see.”

“Then don’t stand so close. Isn’t that better already?”

“This flat is awfully large.”

“It’s big enough for three!”

“I’m single.”

“You’ll have room to grow!”

“The price is nice.”

“It’s the best! There’s nothing cheaper, roomier, or more salubrious in this neighborhood.”

“The floor is covered with dust. Great mounds of dust!”

“Keep the windows closed.”

“I need sufficient light and air.”

“Buy a broom.”

“I’m just not sure if this is the place for me.”

“It won’t be on the market long, not with its literary connections.”

“Literary connections?”

“Don’t you know? This cheap, this roomy, this salubrious flat is where Tom Chambers wrote Good Night Bassington!”

“You don’t say?”

“Indeed, I do! As I recall, his typewriter sat on a desk right over…”

“Perhaps this is the place for me after all? Yes, I’m sure I’ll like it here!”

**

 ♠Frances is our [Flash] Fiction correspondent. The only thing she loves more than thinking, is dreaming.

Up next: In Part Four of our review, Venetia discusses why Gilda is more than your average heroine.

The Miriam Hopkins Blogathon

The Miriam Hopkins Blogathon

The Miriam Hopkins Blogathon

Me, Myself and I: The Writer(s) of Font and Frock

Font and Frock Welcome Banner

On its placid surface, Font and Frock seems like a pretty straightforward project. It is dedicated to four dazzling F-words: film, fashion, [flash] fiction, and feminism. Dig a little deeper, though, and you’ll find, reverberating from its core, a bit of experimental weirdness.

What does this mean?

To find out, let’s head behind the scenes with a partial transcript from our most recent staff meeting.
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