Happy birthday, Marlene Dietrich!
(27 December 1901)
This is my entry in the Classic Movie History Project, hosted by Movies Silently, Once Upon a Screen, and Silver Screenings.
THE EMANCIPATION OF OSSI OSWALDA: I DON’T WANT TO BE A MAN (1918)
“You are a dream; I hope I never meet you.”-Sylvia Plath
Reliable biographical information on German silent movie actress Ossi Oswalda is scant. Even worse, the crumbs that do exist often conflict with one another. To be blunt: facts are on particularly unreliable ground here. Matters are further gummed up by the early-film habit of naming characters after their actors. Ossi was often Ossi, or, to add variety, Össi. Who was who was who? Does it matter? Fortunately, since the focus of this essay is on her incredible comedic performance in I Don’t Want to Be a Man (1918), I’m not particularly concerned with the trajectory of her personal life, or to what extent her true personality coursed through the veins of her screen selves. Even though her off-screen circumstances, opportunities, and choices undoubtedly affected her career, an understanding of them is not a fundamental component to enjoying her remarkable gifts. It would benefit us to take a page from her delightful films, and, at least for the duration of this piece, leave the logical, workaday world behind in favor of the magical hinterland of the imagination. Let’s travel to a place, then, where time and reality don’t matter, where Our Heroine, in her various fictional disguises, is forever brave, scampish, and determined to grab every experience within her reach.
To sheltered twenty-first century viewers, Ossi Oswalda can seem like a young woman ahead of her time. Her screen characters embrace values that we chauvinistically claim as exclusively ours: they are full of physical courage and a feminist resolve to be treated as equal to all comers, have spicy senses of humor, are confidently attractive, take chances as if they were made for risk, and rebel against the mundane as a matter of principle.
Silent film fans know better. Continue reading
The talented and lovely Audrey Hepburn was born on 4 May 1929.
My very favourite Audrey-based book is Audrey Hepburn, An Elegant Spirit: A Son Remembers by Sean Hepburn Ferrer.
Blanche Fury certainly knew how to dress. She was always on point, whatever the circumstance: from poor relation to lady of the manor, sexy adulteress to “grieving” widow, she had it going on. Her lover, Philip Thorn, was right there with her, looking fine. Fine. Here are some of the occasions when Blanche and/or Philip looked better than we ever could:
♦Charlotte is our Fashion correspondent. Her dream closet consists of the collective wardrobes of 796 films.
On 27th March, 1899, a baby girl was born in the great Midwestern metropolis of Chicago. She grew up to conquer the world, armed with an arsenal of talent, wit, style, unusual beauty, and a staggering amount of well-justified ambition and self-confidence.
The camera loved her. Clothes loved her.
Fans loved her.
We still do.
**
Five (of the Many) Faces of Gloria
Magnificent:
Demure:
Determined:
Edgy:
Timeless:
**
Happy birthday to the one, the only, the superb Gloria Swanson!
Until next time…
**
◊Effie is our Film correspondent. She (shockingly!) prefers House Peters’ profile to John Barrymore’s!
Gilda’s Tips for Dressing Like a Successful Commercial Artist
Charlotte
**
Have you always wanted to dress like a successful 1930s commercial artist? Yes? You’re in luck! No? Fortunately, these ensembles transcend time and career. Gilda Farrell, successful American commercial artist and delightfully grown-up woman, knew how to keep it chic at all times. Let’s see if we can follow her lead down the road to professional acclaim and (if it suits us) radical romance.
#1-Takin’ the Train to Glamourville
Gilda proves that, no matter what your destination, dressing well is all in the details. Beret? Matching bow? Check, double-check. A simple skirt and artful blouse complete her comfortable and stylish traveling outfit. It’s best to be prepared, because you never know who you’ll meet when you least expect it…
#2-Go Big or Go Home
Those shoulders! That bow! Those…criss-cross ribbon things! When an important decision looms ahead, what better way to arm yourself with confidence than by dressing with sartorial bravado? Napoleon would agree.
#3-Mothers Can Be Avant-garde, too
When you are a Mother of the Arts, it’s okay to stand out from the crowd. Having a strong style makes it easier to focus on the artists you are helping with your keen wisdom and cutting insights. Or something. A dress with an enormous Pilgrim collar and cuffs isn’t for everyone, but Gilda pulls it off. We can all learn from her nonchalance.
#4-Dressing for the Morning After
No matter what went down the night before, always dress with exceptional elegance for breakfast. Sometimes the most unexpected people show up at your door whilst you are canoodling over coffee. A decadent frock hides your surprise better than a tattered robe.
#5-Going to the Chapel…of Security
No matter how your marriage turns out, you’ll always have your wedding dress. Wear what makes you happy, and make sure that it fits like a dream. That way, you’ll have at least one good memory from you big day!
#6-Shimmery Shimmery Shake
Own one dress that makes you feel like a movie star. Bonus points if it sparkles! Everyone looks good with a little shine, and even better when they radiate happiness. Having a wardrobe designed by the great Travis Banton doesn’t hurt, either.
**
♦Charlotte is our Fashion correspondent. Her dream closet consists of the collective wardrobes of 796 films.
Up next: In Part Three of our review, Frances ponders the pros and cons of going bohemian.