[The Great Villain Blogathon] Blanche Fury: How the Beautiful People Dress

Blanche Fury certainly knew how to dress. She was always on point, whatever the  circumstance: from poor relation to lady of the manor, sexy adulteress to “grieving” widow, she had it going on. Her lover, Philip Thorn, was right there with her, looking fine. Fine. Here are some of the occasions when Blanche and/or Philip looked better than we ever could:

 

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♦Charlotte is our Fashion correspondent. Her dream closet consists of the collective wardrobes of 796 films.

The Great Villain Blogathon

[The Great Villain Blogathon] Blanche Fury: Illicit Love is a Killing Thing

Effie

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Where Everything is Beautiful and Everyone Dies:

Granger and Hobson

Granger and Hobson

 The titular Blanche Fury and her lover Philip Thorn are outstandingly beautiful people. Their clothes are elegant and perfectly cut. The vast estate on which they live is richly appointed. It is full of expensive furniture and many servants. They are passionate, and very much in love with each other.

Unfortunately for them…

their lives are playing out in a Gothic genre film set in the Victorian era.

Too bad, beautiful people.

It was nice knowing you.
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Glorious, Glorious Gloria the Birthday Girl!

On 27th March, 1899, a baby girl was born in the great Midwestern metropolis of Chicago. She grew up to conquer the world, armed with an arsenal of talent, wit, style, unusual beauty, and a staggering amount of well-justified ambition and self-confidence.

The camera loved her. Clothes loved her.

Fans loved her.

We still do.

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Five (of the Many) Faces of Gloria

Magnificent:

Gloria Swanson in Male and Female, 1919

Gloria Swanson in Male and Female, 1919.

Demure:

Gloria Swanson, Motion Picture Classic (1920)

Gloria Swanson, Motion Picture Classic (1920).

Determined:

Gloria Swanson by Nickolas Muray, 1922

Gloria Swanson by Nickolas Muray, 1922.

Edgy:

Gloria Swanson in The Impossible Mrs. Bellew, 1922

Gloria Swanson in The Impossible Mrs. Bellew, 1922.

Timeless:

Gloria Swanson, Stars of the Photoplay (1924)

Gloria Swanson, Stars of the Photoplay (1924).

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Happy birthday to the one, the only, the superb Gloria Swanson!

Until next time…

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◊Effie is our Film correspondent. She (shockingly!) prefers House Peters’ profile to John Barrymore’s!

[The Miriam Hopkins Blogathon] Design for Living: Part Four-Not Your Average Rom Com Heroine

Not Your Average Rom Com Heroine

Venetia

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Gilda Farrell is the unicorn of women movie characters: she’s unconventional without being (the cliched Hollywood-version of) a free spirit. Sure, most of us have heard that such a thing exists, without ever believing it could be true.

Trust me, dears. Gilda is the real deal.

She’s whip-smart, witty, straightforward, and determined to make the choices that are best for her. Even, as it turns out, when they are considered brazen or unbecoming of a “nice” woman. She starts with the awareness that women suffer from an almost unrelenting series of double standards:

Gilda's Speech

Gilda’s Speech in Design for Living (1933)

 From there, she decides to take action. This is why Gilda is so exceptional, why her decision to live romantically with two men is so fucking revolutionary. It is, also, why she is not a free-spirit:

To label her as such denies Gilda her self-governance, her experience, her bravery, and her brains.

Without them, she’d be just another silver screen beauty feigning eccentricity before accepting her fate as the good wife of an exceptionally handsome man.

Thank God for Gilda.

Her supposed immorality not only goes unpunished, but she gets to keep her self-respect, Gary Cooper, and Fredric March.

That’s pretty damn nifty.

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♣Venetia is our Feminism correspondent. She loves equality, swearing, and huge cups of coffee.

 The Miriam Hopkins Blogathon

The Miriam Hopkins Blogathon

The Miriam Hopkins Blogathon